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First Series — Genesis #10 — Framed Fine Art Giclée Print
AUSTRALIAN DELIVERY ONLY — Due to the size and framing of this artwork, delivery is available within Australia only. Shipping is calculated at checkout.
Artist: George Allan
Title: Genesis #10
Series: First Series — Genesis
Drawing date: 12–17 April 2001
Edition: Open edition
Medium: Archival giclée fine-art reproduction on 290 gsm archival fine-art paper using archival pigment inks
Print size: A2
Framed size: 69 × 87 cm
Orientation: Portrait
Framing: White custom timber frame with raised white mat, approximately 4–5 mm above the artwork, conservation-grade mounting and backing materials, and premium-grade acrylic glazing
Availability: One framed display-stock example
Regular price: AUD $800
Sale price: AUD $480 — 40% OFF
Genesis #10 is a major turning point within First Series — Genesis because it is the first drawing in the sequence in which the human face or body disappears completely.
In its place is a vast circular structure organised around a small central nucleus. From this centre, the drawing expands outward through numerous concentric layers containing repeated circular units, script-like markings and finely ordered symbolic structures.
Radial lines connect the inner and outer fields, creating a highly structured wheel-like or cosmographic architecture. Around the outer boundary, repeated looping and wave-like forms extend beyond the principal circle, preventing the composition from appearing completely enclosed.
The absence of the human figure gives Genesis #10 a distinctly different character from the preceding works. Rather than positioning the body or face within a larger field, the patterned field itself becomes the principal subject.
This archival giclée fine-art reproduction preserves the precise monochrome linework and exceptional density of detail contained in the original drawing. The raised-mat presentation gives the work additional depth and separation within the frame.
For further insight into the imagery, structure and interpretation of Genesis #10, visit the Drawing & AI Analysis section of the Enigmatic Drawings website.
Please note: In-situ images are provided to illustrate Genesis #10 in display settings and may not show this exact framed sale item.
AUSTRALIAN DELIVERY ONLY — Due to the size and framing of this artwork, delivery is available within Australia only. Shipping is calculated at checkout.
Artist: George Allan
Title: Genesis #10
Series: First Series — Genesis
Drawing date: 12–17 April 2001
Edition: Open edition
Medium: Archival giclée fine-art reproduction on 290 gsm archival fine-art paper using archival pigment inks
Print size: A2
Framed size: 69 × 87 cm
Orientation: Portrait
Framing: White custom timber frame with raised white mat, approximately 4–5 mm above the artwork, conservation-grade mounting and backing materials, and premium-grade acrylic glazing
Availability: One framed display-stock example
Regular price: AUD $800
Sale price: AUD $480 — 40% OFF
Genesis #10 is a major turning point within First Series — Genesis because it is the first drawing in the sequence in which the human face or body disappears completely.
In its place is a vast circular structure organised around a small central nucleus. From this centre, the drawing expands outward through numerous concentric layers containing repeated circular units, script-like markings and finely ordered symbolic structures.
Radial lines connect the inner and outer fields, creating a highly structured wheel-like or cosmographic architecture. Around the outer boundary, repeated looping and wave-like forms extend beyond the principal circle, preventing the composition from appearing completely enclosed.
The absence of the human figure gives Genesis #10 a distinctly different character from the preceding works. Rather than positioning the body or face within a larger field, the patterned field itself becomes the principal subject.
This archival giclée fine-art reproduction preserves the precise monochrome linework and exceptional density of detail contained in the original drawing. The raised-mat presentation gives the work additional depth and separation within the frame.
For further insight into the imagery, structure and interpretation of Genesis #10, visit the Drawing & AI Analysis section of the Enigmatic Drawings website.
Please note: In-situ images are provided to illustrate Genesis #10 in display settings and may not show this exact framed sale item.
