First Series — Genesis #10 — A3 Floated Box-Frame Fine Art Giclée Print
AUSTRALIAN DELIVERY ONLY — Due to the framed presentation of this artwork, delivery is available within Australia only. Shipping is calculated at checkout.
Artist: George Allan
Title: Genesis #10
Series: First Series — Genesis
Drawing date: 12–17 April 2001
Edition: Open edition
Medium: A3 archival giclée fine-art reproduction on 290 gsm archival fine-art paper using archival pigment inks
Framed size: Approximately 47 × 59 cm
Orientation: Portrait
Framing: Custom white timber box frame; artwork floated approximately 5 mm above the white backing; conservation-grade mounting and backing materials; premium-grade acrylic glazing
Availability: One framed display-stock example
Condition: Very good display-stock condition
Regular price: AUD $800
Sale price: AUD $480 — 40% OFF
Genesis #10 is one of the most purely geometric works within First Series — Genesis. Unlike many earlier drawings in the sequence, the composition contains no central human figure. Instead, the work develops as a dense concentric field of circular structures, repeated motifs and script-like markings organised around a central point.
Successive rings expand outward through increasingly complex layers of repeated forms, creating a strongly radial, mandala-like architecture. The absence of a figurative centre places greater emphasis on the underlying geometry and visual organisation of the Genesis series.
This archival giclée fine-art reproduction preserves the intricate monochrome linework and fine symbolic detail of the original drawing.
The A3 print is presented in a white box frame and floated approximately 5 mm above the backing, creating a subtle shadow around the paper and giving the work additional depth within the frame.
For further insight into the imagery, structure and interpretation of Genesis #10, visit the Drawing & AI Analysis section of the Enigmatic Drawings website.
Please note: The photographs show the actual framed display-stock artwork. Reflections from the acrylic glazing and ambient lighting may affect the apparent contrast and clarity in photographs.
AUSTRALIAN DELIVERY ONLY — Due to the framed presentation of this artwork, delivery is available within Australia only. Shipping is calculated at checkout.
Artist: George Allan
Title: Genesis #10
Series: First Series — Genesis
Drawing date: 12–17 April 2001
Edition: Open edition
Medium: A3 archival giclée fine-art reproduction on 290 gsm archival fine-art paper using archival pigment inks
Framed size: Approximately 47 × 59 cm
Orientation: Portrait
Framing: Custom white timber box frame; artwork floated approximately 5 mm above the white backing; conservation-grade mounting and backing materials; premium-grade acrylic glazing
Availability: One framed display-stock example
Condition: Very good display-stock condition
Regular price: AUD $800
Sale price: AUD $480 — 40% OFF
Genesis #10 is one of the most purely geometric works within First Series — Genesis. Unlike many earlier drawings in the sequence, the composition contains no central human figure. Instead, the work develops as a dense concentric field of circular structures, repeated motifs and script-like markings organised around a central point.
Successive rings expand outward through increasingly complex layers of repeated forms, creating a strongly radial, mandala-like architecture. The absence of a figurative centre places greater emphasis on the underlying geometry and visual organisation of the Genesis series.
This archival giclée fine-art reproduction preserves the intricate monochrome linework and fine symbolic detail of the original drawing.
The A3 print is presented in a white box frame and floated approximately 5 mm above the backing, creating a subtle shadow around the paper and giving the work additional depth within the frame.
For further insight into the imagery, structure and interpretation of Genesis #10, visit the Drawing & AI Analysis section of the Enigmatic Drawings website.
Please note: The photographs show the actual framed display-stock artwork. Reflections from the acrylic glazing and ambient lighting may affect the apparent contrast and clarity in photographs.
